Some of the most fun I’ve had writing my book was creating the dedication and acknowledgements page. I understand that some publishers (and some grumpy readers) don’t like acknowledgements (more pages to print = more $$ spent, I guess; thankfully, my amazing publisher never batted an eye about including both a dedication page and an acknowledgment page).
I personally love reading these tiny slivers of reality. After I’ve been walking around in the dream of fiction and reach the end, where I sit for a few minutes, easing myself awake, the acknowledgements serve as a nice bridge between not real and real. Here, the author reminds me that she’s a human as well as a creator; author Anna North once noted that “We often think we’re seeing the author’s real self when we read her fiction, but as any author who’s ever been asked what happened after she fled her family of international superspies and threw in her lot with a group of itinerant circus performers knows only too well, this is a delusion. The acknowledgments at the back of a novel are tantalising because they’re often the only true thing amid a pack of lies.”
The other purpose the acknowledgements and dedications serve is to show that the author is thankful to those who helped her along the way. No writer is an island, and in a world full of people often obsessed with being perceived as uniquely superior (it’s the reason Instagram filters exist, right?), it’s nice to see a slice of humility.
Also, gratitude is just a great read.
Acknowledgments run the gamut from the utilitarian, where the author spends time thanking editors, publishers, and agents, to the very personal. As a practical consideration, writing experts often encourage authors seeking publication to look at the acknowledgement page in books in their genre and note the agents and publishers as people they may want to reach out to. It’s good advice that I took myself. I discovered my publisher by following a rabbit trail that began while I shelved books at the library part-time. As I pushed my cart around, pausing to fit a book in its tidy alphabetical or numerical place, I’d also sometimes scribble down publishers’ names I found in books that looked similar to mine, and as I later researched those publishers and sent out queries, I found a treasure trove of more publishers. A couple offered me contracts, one of which I happily accepted. So if you’re an aspiring author, I concur with the experts: Don’t neglect the business of reading acknowledgements
Beyond the practical, however, far more interesting to me in the acknowledgments is the personal, the human. Stephen King regularly adds a quick note of thanks to his “Constant Readers,” which is a nice touch. Craig Johnson, in one of his Longmire books, finishes his acknowledgment page with the following for his wife: “To Judy who, like the stars, wonders if she shines brightly enough and always does.” Leif Enger, in one of my all-time favorite books Peace Like a River, begins his acknowledgements thanking his father and his mother, Wilma, “who read us Robert Louis Stevenson before we could talk, and who writes better letters to anyone since the Apostle Paul.” In Will My Cat Eat My Eyeballs, death queen Caitlin Doughty ends her acknowledgment page with “And finally to Ryan Saylor, the shroud to my casket.” (I LOVE this woman.)
I’d be remiss if I didn’t mention my favorite anti-acknowledgement, E.E. Cummings’s “No Thanks” poem, dedicated to the publishers who rejected him. (Cue the scene in Pretty Woman where Julia Roberts’s character comes back in to taunt the snobs who make her feel bad: “Big mistake. Huge.”)
The story with Cummings is that his mother believed in him in a way that the publishers did not (ah, moms and their mom-goggles) and gave him the money to self-publish his book of poetry. His “dedication” page is as follows:
Note that the poem is in the shape of funeral urn; Cummings was feeling ALL the salt! All of us who have suffered the pain of rejection after rejection can now stand up and cheer.
One of the best dedications, of course, is C.S. Lewis’s dedication in The Lion, the Witch, and the Wardrobe
To Lucy Barfield
My Dear Lucy,
I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather,
I mean, COME ON! We all want to be Lucy now, don’t we?
When I started counting my blessings in the writing of my own book, it was hard to stop. All the people who helped me as a writer, as a person, who love me in spite of my shortcomings—as I made my list and tried to, in my inadequate way, let them know how much they mean to me . . . well.
It wasn’t enough, but I did my best. Since I’ve been feeling very grouchy and UNthankful for this weird masked world lately, it was nice to take an unfettered breath and remember that for all the bad 2020 has thrown my way so far, there was once and has to be yet again, someday, so much to be thankful for.